WanderCurtis Wine

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South Africa: Reyneke Wines, Stellenbosch.

Johan Reyneke

Mostly when I ask winemakers about what they are doing to be more sustainable and to reduce their environmental impact the answer is all about stewardship of the land; vineyard practice, avoidance of pesticides, and perhaps a bit of onsite recycling. All good stuff, but as the drive towards Net Zero Carbon builds obviously the wine industry also needs to step up and make a start down this road.

Challenging though it may be, without plotting a route and taking the first step, the target will never be reached.  Equally we consumers need vote with our wallets and make it clear we care, not just about how tasty the wine in our glass is, but also about the journey has taken to get there.

Happily, there are some great wineries out there, leading the way on sustainability and one of them is Reyneke Wines in Stellenbosch.

Since the early noughties Johan Reneke has been working towards achieving the three pillars of sustainability: environmental, social and economic.  As he eloquently argues, how can a wine be beautiful if there is ugliness, in the form of glaring social inequity, involved in its making? He also makes the point that only a financially healthy business is going to be able to achieve any sort of environmental and social goals.

Johan sees Biodynamic farming as part of a larger picture of regenerative farming. Agriculture is one of top five contributors to climate change but regenerative agriculture actually provides the opportunity to turn this around. It can actually sequester carbon back into the earth by improving soil health and increasing humus content. Another win is by moving away from monoculture biodiversity can also be improved.

Reyneke works with nature to maintain vine health without recourse to chemical pesticides, herbicides and fertilizers. This ‘land caring’ element of the approach uses for example dandelions and other cover crops to provide a preferential home for pests. It also involves ducks trotting around the vineyards hoovering up snails.

Land within the farm is also ‘spared’ so that there are pockets of wilderness left between the vineyards which are rich in flora and fauna.  The farm’s herd of cattle currently roaming in pasture below the winery, are let into the dormant vineyards over winter to fertilize them. In a lovely example of the vineyard’s circular like economy the winery produces feed for the cows in the form of the grape pressings which according to Yohan they love!

Looking back towards False Bay with the farm herd of cattle in the foreground.

Improved soil health and biodynamic farming has made the vines more resilient to pest, fungus and drought and so by extension perhaps some of the other effects of climate change?

As we visit the Reyneke wine farm is currently being extended into a neighbouring farm recently acquired.  Some of the vineyards are being kept and some replanted. One can see where strips running along the contours of the hillside are being set side for biodiversity corridors between the vines.  Old vines are piled up and will be turned into bio-charcoal that will be mixed in with the soil, locking in the carbon long term.

New vineyards in preparation. A pocket of Fynbos top left, horozontal lines on the hill side mark out future biodiversity corridors

When looking at the road to net zero carbon any organisation needs to look at its Scope 1, 2 and 3 emissions.  Scope 1 emissions are C02 emissions arising from operations directly controlled by the organisation. Scope 2 are emissions up stream caused indirectly by the organisation when it buys in goods and services from elsewhere, for instance electricity or bottles. Finally scope 3 emissions are those downstream arising from the activities of distributors and consumers transporting, consuming and disposing of goods.

At Reyneke the farm is now carbon negative but Johan continues to look at the winery operations. He is investigating renewable energy in the form of photo voltaic (PV) panels, possibly in combination with electric tractors which could double up by providing some energy storage too.  The Cape is lovely and sunny but electricity is currently rationed in ‘load shedding’ which adds another reason for moving off grid.

Reyneke is also trailing the use of Tetra Pak type packaging as an option, starting with their entry level organic wines in Scandinavian countries who seem more open to the idea.  Clearly there is a challenge here in shifting negative consumer perceptions of ‘bag in a box’ type wine.  Moving away from bottles would deliver valuable reductions in carbon footprint in terms of packaging and transport.

A non-interventionist approach follows through into the wine making. Instead of temperature controlled stainless steel and yeast inoculation at Reyneke wild fermentation in oak barrels is the order of the day. The wooden containers and smaller volumes successfully manages the temperature during fermentation in a passive way. The wild yeast and breathability of the oak also give a different character to the wines in particular the Sauvignon Blancs.

Johan’s story is so fascinating, and the challenges he and his team have taken on are so inspiring that this intro’ section could easily run on and on so let’s get to the wines, which do not disappoint!

Reyneke Sauvignon Blanc 2021

On the nose, hay, a touch of gooseberry, a whiff of custard. Good body with lovely balance and freshness. A nice supple mouth feel, white peach, exotic fruit pineapple, creamy gooseberry fool. Complex with good length a wine that evolves. Excellent. (Tasted at the farm and again back in London with consistent results)

Reyneke Reserve White 2020.

This is also 100% Sauvignon Blanc. The reserve is made from selected pockets of grapes within the vineyard which have their own character. It gets 24 hours on the skins and the new oak barriques.

More stone fruit on the nose also a bit of hay and a subtle touch of vanilla. Lovely textured mouth feel, more peach and bit of toast, rich but balanced, great length. Neither of these wines are your identikit new world SBs, much more interesting and complex.

Reyneke Chenin Blanc 2021

The vineyards here are part of the South African old vine project so more than 35 years old.

The nose is floral and nutty. In the mouth apricot, honey and a slightly salty finish. Vibrant.

Reyneke Syrah 2019

On the nose, sweet blackberry, dried herbs and crushed pepper. In the mouth dried black fruits, iodine, ripe tannins, full bodied but fresh.  Long. (Tasted at the farm and again back in London where the wine benefited with time in the glass.)

Reyneke Reserve Red. 2019

The wine is 100% Syrah and again from selected parcels of the vineyard.

On the nose, blueberry pie, ripe fruit, pie crust, vanilla, coffee grounds, fresh garigue herbs. Iodine? Ripe blue and blackberries, powdery tannins, a herbal liquor note, savoury notes of grilled meat, full body and fresh acidity. Complex and very long. So good now that it will be hard to keep ones hands off this to let it mature! (Tasted at the farm and again back in London where again the wine benefited with time in the glass.)

Cornerstone 2019

A blend of Cabernet Franc and Cabernet Sauvignon in this vintage.

The wine is named after the Cornerstone project.  Johan sees the workers as the cornerstone of the business, farm workers generally receive low wages as there is high unemployment and viticulture is the least profitable part of the industry. Scheme aims to empower workers with housing and education using profits from the winery.

Classic cassis, black current leaf, black current jam and a touch of sawdust on the nose. Austere at first, black fruits, green pepper, coffee grounds, slightly drying grainy tannins. Tasted again in London it opens up and fruit fills out the palate with bit of air. Still fairly primal at this young stage but good potential.

There is a vibrancy and depth to these wines which is compelling and it’s a quality that the Wander Curtis team have noticed on multiple occasions in other Biodynamic wines by producers such as Felton Road and Chateau Pontet-Canet. On every level there is definitely something to Biodynamic wine making.


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South Africa: Constantia and Hemel-en-Aarde

Not only does wine making in South Africa go back a very long way but winemaking in the Cape actually has a birthday: 2 February 1659! On that day Jan van Riebeeck recorded in his diary “Today, praise be to God, wine was made for the first time from Cape grapes.’

Sent by the Dutch East India Company in 1652, to establish a staging post to supply ships on their way around the Cape of Good Hope, Van Riebeeck lost no time on the important business of planting vines and making wine.  Apparently was essential to the treatment of sailors with scurvy.  Yet more historical evidence of the health benefits of red wine!

Constantia

Constantia lays claim to have the oldest vineyards in the southern hemisphere dating from 1685 when Simon van der Stel, the Cape’s first Governor established a farm on the southern slopes of Table Mountain facing False Bay.   False bay is of course a ‘real’ bay, it was just the wrong one from the point of view of sailors returning from India when they realised that they hadn’t quite reached the Cape Bay and still had to round the treacherous Cape of Good Hope.

Vin de Constance has since been revived by Klein Constantia and Groot Constantia also makes a sweet Grand Constance.  However, the comparatively cool climate, elevated altitude and generous rainfall (twice that of London apparently) means that modern Constantia is now home to a wide range of red and white varieties.

Where Van Riebeeck’s relied on enthusiasm Van der Stel brought to bear some viticultural knowledge and his name is firmly stamped on the Cape winelands. Quite literally as he named Stellenbosch town after himself and the imposing back drop of Simonsberg mountain serves as an ever present reminder.  The wines of Constantia attained international acclaim in the late 18th and early 19th C boosted by the war between France and England which made French wine hard to get hold of.  Famously Napoleon’s suffering during his exile on St Helena was greatly eased by a steady supply of Vin de Constance.  The wine at the time is thought to have been sweet and quite possibly fortified. Once there was peace and a trade agreement between England and France the market for Vin de Constance diminished and in the end the vineyards did not survive the onset of Phylloxera.

Groot Constantia

Groot Constantia (pronounce the G as if you are clearing your throat) is the largest part of the Van de Stel’s original farm.  A trust now owns the estate and it is even a National Monument.  The old Cape Dutch style farm house houses a museum which tells the story of the wine farm. Simon van der Stel’s mother was daughter of a freed Indian slave and after him Johannes Colijn, who heralded in the heyday of Vin de Constance in Europe, was also of mixed race.  The exhibition gives a sobering understanding of the part that colonisation and slavery played in the history of the farm and Cape’s wider wine heritage.

An easy drive from Cape Town the history, wine, restaurants and beautiful setting make the estate well worth a visit.

Rose 2022

A blend of Cabernet Sauvignon, Merlot, Semillon and Sauvignon Blanc made with minimal grape skin contact. Pale orange pink colour.  Nose of honey dew melon. Nice balance, peachy notes and good freshness.  Easy drinking in the sunshine.

Sauvignon Blanc 2022

Constantia has a reputation for fresh Sauvignon Blanc. Floral nose with elderflower blossom and a touch of grassiness. Again good balance, melon and tropical fruits flavour, fullish body but with freshness.

Chardonnay 2021

Smokey vanilla nose. Lemon, vanilla, spicy wood, full boded mid-level acidity and medium length. Tasty ‘new world’ style.

Gouverneurs Reserve White 2020

A blend of Sauvignon Blanc and Semillon partly aged in new oak Barrique.On the nose green pepper, hay, meadow flowers, herbs, tarragon. Fullish body, mid-level acidity, dry herbs, hay, grapefruit pith. Complex with very good length and a lovely citrus persistence.

Lady of Abundance 2018

A red blend of Pinotage, Merlot, Shiraz and Tannat.Mixed macerated red and dark fruit nose. Ripe plum, blackberry, clove and toast favours with soft tannin. Easy drinking.

Merlot 2018

A nose of classic plum and milk chocolate and a whiff of vanilla. Ripe capsicum, red fruit, soft tannins, medium length. Tasty.

Cabernet Sauvignon 2019

Initially mulberry, then a leafy green aroma. Touch of strawberry, dried cranberries. In the mouth more dried fruit, nice chalky tannins, medium body, good acidity. Reasonable length. Give it a year or two and this should round out nicely.

Pinotage 2020

Baked dark plum with ferrous notes and a sprinkle of cake spice. Rounded full body but not flabby, more spicy baked blackberries, finishes with sweet fruit and is quite long.

Shiraz 2019

Plush fine oaky nose, iodine and dried cherry. Good balance and length, dark cherries, hint of blood, good length. Firm tannins sit squarely on the tongue, this should age quite nicely.

Gouverneurs Reserve 2028

A Bordeaux blend. Plums, cedar wood, milk chocolate, nice furniture polish. very Claret like. Mix of red and black fruit, Black Forest Gateaux, great balance and a long savoury finish!  Excellent.

Grand Constance 2017

Made from Muscat d’Frontignan the white Muscat is complemented with a small percentage of red Muscat.

Burnt orange colour. On the nose orange peel, ginger powder, dried apple, cinnamon, cake spices, furniture polish. Lusciously sweet but with enough lift to keep it fresh. A strangely a floral note, rose water or something like that and more dried orange. Very long.

Hemel-en-Aarde

Hemel en Aarde is known for growing Burgundian grapes and is divided into three areas: Hemel-en-Aarde Valley, closest to Walker Bay, Upper Hemel-en-Aarde Valley further up the valley and Hemel-en-Aarde Ridge the highest area in terms of altitude.  Each area has different soils and micro-climates.

The received wisdom is that in the lower section clay soils produce broader more structured Pinots, the decomposed granite in the Upper part results in a crunchy, elegant style and due to the altitude and recurrence of some clay the Ridge produces something in between. That said many other wines are also produced here including some crisp Sauvignon Blancs and Rhone blends.

Overall the region’s proximity to Walker Bay, the cold Benguela current as well as the prevailing Southeaster results in a particularly strong cooling maritime influence. Hemel-en-Aarde also has higher than average rainfall.

Hamilton Russell was the first winery in the area, the eponymous owner was looking for land and was attracted by the cooler climate. A risky move back in the 1970s as the vineyards had no quota for wine making under the then restrictive rules and so winemaking was technically illegal. Having planted a wind variety of grapes including Pinot and Chardonnay they eventually restricted wine making to just these two varietals.  The winery has spawned several other neighbouring wineries as successive winemakers have left to set up their own ventures in the valley, these include Buchard Finlayson, Creation and Storm wineries.

The Wine Village, Hermanus.

At the bottom of the valley in the whale watching town of Hermanus is the Wine Village store with is a treasure trove of South African wines and will ship overseas.

Stephen was on the counter and let me taste Hamilton Russell Vineyards’ 2021 Chardonnay and Pinot Noir.  Both from the Valley were beautiful rich, structured, and perfectly balances wines with lashings of fine oak. Immediately pleasurable for such young wines which for me puts them in the New World but with a level of Burgundian understatement.

Newton Johnson Family Vineyards

Newton Johnson is located in Upper Hemel-en-Aarde Valley located in a beautiful spot with spectacular views.

Resonance 2019

75% Sauvignon Blanc and 25% oaked Semillon. Flinty nose, gooseberry, Semillon gives the wine a nice body, good length with a slight toasty finish. Very nice.

Albariño 2021

The first planting of this grape in SA were here at Newton Johnson. Made 20% in old oak barrels. Floral notes with sea breeze, a nice saline note in the mouth, fresh. A bit more breadth than you would find in a Spanish version but no shortage in bracing acidity.

Family vineyard Pinot Noir 2020. 13.5%

A blend of several vineyards including Sea dragon and Windandsea each bringing different characteristics to the wine. On the nose red soft fruit, some nice vegetal notes. In the mouth sweet fruit, more herbs, delicious rounded body, good freshness, and a lovely long finish.

Full Stop Rock 2020

79% Syrah and the rest Grenache grown in decomposed rocky granite. The wine is aged in 5% new oak barrels and the rest used for18 months. Blackberry, ripe fruit forward nose. In the mouth ripe sandy, rounded tannins, very approachable now. Long.

Granum 2016.

A blend of 75% Syrah and Mouvedre. Darker colour.  Black fruit, meatiness, oxo cubes on the nose. A nice stoniness, more ripe black fruit and savoury notes. Full bodied developing some earthy notes.

Boekenhoutskloof have also started making a Chardonnay and Pinot under their Cap Maritime label from vineyards in the  valley.  See the full review of this winery posted separately.

Wines of South Africa podcasts

Finaly just a quick shout out for the excellent series of podcasts that Jim Clarke and the Wines of South Africa (WOSA) have made. Packed with regional information, interviews with winemakers and some really interesting historical background these and Jim’s book really are essential further reading. To access the podcasts click on the link below.

WOSA Podcasts


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The Many Faces of Zweigelt

Full disclosure, I have a very soft spot for Austrian wine.  It is undoubtably through my partner, who is Austrian, that I have grown to love the many and varied delights that the country and its people have to offer. It’s fair to say that family Curtis pulls its weight when it comes to consumption of Schnitzels, quaffing of Greuner Veltliner and bashing of mogul pistes. Oh, and it goes without question that Semmel are the best bread rolls ever and nobody makes better ryebread.

Anyway, we’ve written at length about Austria’s fabulous white wines: Greuners and Rieslings from the Wachau, Kamptal and increasingly from Traisental along with the characterful Sauvignon Blancs from SudSteirmark, but not enough about the country’s excellent red wines.   My suspicion is that a lot of Austrian red wine just doesn’t make it out of the country because demand at home is so healthy. So, I was delighted be invited to a lunch spotlighting Zweigelt and the grape’s many faces organised Neusiedlersee DAC.

Zweigelt is the most planted red grape variety in Austria, second only to Gruener Veltliner in terms of vineyard area. It is a cross between Austria’s other two main red grapes, Blaufraenkisch and St. Laurent, the former, late ripening with high acidity and firm tannins and the later early ripening with delicate fruit and moderate tannins.  The result, it is argued, is a wine that displays the best of both and is fruit forward, with gentle acidity and soft tannin. It can be made in a forward fruity style at a great price point or through selection and sometimes aging in barrique as a more structured reserve wine capable of many years bottle age.

Neusiedlersee DAC (designated area of origin) is located to the east of the Neusiedlersee a large lake on the boarder between Austria and Hungary.  The designation is only for the production of Zweigelt and sweet wines although most of the winemakers in the area also produce a variety of other wines too.

Some nice Burgenlaendlisch drinking slang!

To demonstrate this the aperitif served before lunch was a Welschriesling Voll Freude 2021 by Georg Preisinger.  Fresh with citrus and apple served gespritzt.  The perfect refresher: half wine and half sparkling mineral water.

Next a young 2021 Zweiglet by Preiner Wein, served with an autumnal mushroom risotto. 

Very fruit forward with accessible berries and a whiff of spice on the nose. A nice midweight body, soft tannins and good freshness. Well balanced and a collaborative partner to the delicate risotto flavours. Tasty!

The main course of grilled sweetbread was served with single vineyard Zweigelt by Gebrueder Nittnaus, Zweigelt Golser Ried Luckenwald 2004.

The wine demonstrated how well the variety can develop in the bottle in the right hands.

On the nose cut strawberries, damp forest floor, a touch of vanilla from the Barriques. It retained a lovely juiciness on the palate with complex tertiary notes of mulch and mushroom.  Great length. Excellent and it held its own against the richness of the sweetbread.

Finally with a desert of baked apple and vanilla cream a TBA Welschriesling Siddartha 2018 by Johannes Muenzenrieder.  Wow a delicious nose of peach, roasted nut and honey, more of the same in the mouth, lovely balance and length. Sweet wines from near the Neusiedlersee benefit from the morning mist and afternoon sun and somehow retain great freshness.

The line up of Zweigelts on the free pour table displayed a spectrum of wines most of which were juicy and tasty from the off with some cellared samples that had developed lovely complexity. There were nice examples by Artisan Wines, Weingut Kummer, Keringer, Preiner Wein, Hannes Reeh, Salzl Seewinkelhof and Allacher.

Hopefully we’ll start seeing some of these lovely Zweigelts appearing in shelves in the UK soon!


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Domaine Foivos, Cephalonia

Assos sunset

The late afternoon breeze begins to dissipate the heat of the day, the sun gently sinks over the sea, islands in the distance emerge in silhouette as the sky shades pink and purple. Evening time on the Greek islands.  Hard to improve on that I hear you murmur? 

Well actually there is a way to dial up the experience: make sure you are enjoying a glass of chilled Robola on the island of Cephalonia!

In Captain Corelli’s Mandolin the bottles of Robola that the drunken priest downs while hiding from his flock would bear, I imagine, little relation to the excellent wines the island currently produces.  However, the storey does serve to illustrate the very long tradition of wine making on the island which stretches back over centuries of Venetian influence.

Wine is produced on several of the Ionian islands but Cephalonia is known as the home of one of the best Greek white wines Robola. Perhaps not as famous as Santorini’s Assyrtiko but definitely worth searching out particularly if you enjoy fresh, crisp and minerally wines with elegance and structure. The best are grown in poor limestone soils high up on mount Ainos.

Grapes drying at Sclavos Wines

Robola is not the only show in town though indeed there is a bewildering array of grape varieties grown on the island. The other main grape varieties are Mavrodaphne and Muscat Blanc.  Mavrodaphne is a red grape traditionally used to produce a sweet red wine, thanks to the Venetians love of the Passito method of sun drying their grapes, but now also made into a delicious dry reds too.

Local wines are widely available in all the tavernas, many stocking the excellent entry level Robola produced by the Cephalonia Cooperative which arrives in a cloth sack. Also, sometimes some more premium higher altitude and even single vineyard Robolas by the Cooperative and wineries such as Gentilini. Do try the various alarmingly coloured rose wines (think Aperol Spritz) that are made on the island too!

Sadly, I only managed to visit Sclavos Wines and Domaine Foivos whilst on the island and as Adam has recently reviewed Sclavos Winery here I will focus on Domaine Foivos.

Domaine Foivos

Domaine Foivos was formed when Theodore Orkopoulos bought the Matzavino family winery which is one of the oldest wineries in Greece. In fact, Theodore believes that Homer mentions the wines in the Iliad!

The estates vineyards are located in different parts of the island and contain a large range of very old indigenous grape varieties many of which are pre-phylloxera.  Since the phylloxera louse killed off most native European vines by attacking their roots nearly all modern vines have been grafted onto American vine roots which are resistant so it is unusual to find old ungrafted vines that have survived.

It became evident during our three hour long tasting that Theodore possesses just the sort of boundless enthusiasm and a relentlessly enquiring mind needed to fully grasp the wine making opportunities that this precious library of vines presents.

Theodore Orkopoulos winemaker at Domaine Foivos

We started with a master class on Robola show casing different wine making techniques applied to grapes from the vineyards on mount Ainos.

Black Label Cephalonian Robola, 2021.

The vines are fully pressed and allowed a bit of skin contact.

The nose is a little floral with a touch of pink grapefruit. On the palate nice fruit, good balance and freshness and a pleasant prickle from the skin contact. A very nice wine that has tension and character.

Blue Label Cephalonian Robola, 2021.

This wine is also made with a full press but without any skin contact.

A refined nose of peach and wet stone. In the mouth a slimmer body and softer acidity with good length.  This wine is available in the UK.  It would work well as an aperitif to go with the sunset followed by the black label with dinner at the local Taverna.

Barcarola Cephalonian Robola, 2021.

This version of Robola is made with only the first free run juice of a selection of the grapes.

It has quite a different nose, much more perfumed, floral with delicate citrus notes.  Theodore describes it as more pure expression of the grape. Again, a lighter body, very nicely balanced with a long lingering finish. This is a more premium wine.

Orange Robola 2021

This wine is made with 5 days skin contact which is relatively restrained by natural wine making standards so it is not very ‘orange’ in appearance. Possibly why I liked it so much! Ripe fruit on the nose, white peach, rounder on the palate with more ripe fruits and a nice prickly sensation. Very tasty.

Amphora Robola, 2021

This wine is made in small clay amphora.

On the nose more herbal notes over the top of peach, wet stony notes and something floral like lilac. Also complex in the mouth with a very nice texture and length.

East – West Robola + Assyrtiko, 2020

This wine is a 50:50 mix of Robola from Domaine Foivos and Assyrtiko from Zanthi.

It has a rich nose of peach and other tropical fruits and on the palate a lovely a mix of peach fruit and salty citric notes from the Assyrtiko.

Asteris Robola Rose, 2020

A bit of mavrodaphne is added to give a splash of juicy fruit to layer on top of the peach and citrus profile of the Robola. This is not one of the alarming coloured roses mentioned in the introduction, looks very respectable.

Lemona Sun dried Robola, 2012

Grapes are dried in the sun for up to 20 days. Then pressed to make this amazing sweet wine.  Around 10kg of grapes are needed for each half bottle!

On the nose sweet fruit, caramel. In the mouth complex flavours of lemon, nuts and honey. Very long, great balance with real lift and length.

Appropriately named after Lemona goddess of the environment.

Foivos is one of the few wineries offering so many versions of Robola and it’s a result of Theodoros’ continuing search to discover all aspects of the grape.

The masterclass of Robola over, Theodore explained what had prompted him to start to experiment with using amphora. It’s understood that the ancient Greeks heavily watered their wine down and Theodore wanted to find out why.  He set about making wine using clay amphora in the way that the ancients did, which included adding wooden staves and found that the results were good. However, Theodore realised that storage of the wine in clay amphorae over weeks and months would cause the wine to oxidise badly.  So, the theory is that by the time the important religious festivals came around in the new year the wine from the last harvest would have needed to be heavily diluted to make it drinkable.

Theodore also believes that the ancient Greeks stored wines under water possibly to try and prevent it spoiling through oxidation and this has also led Foivos to carry out some very interesting experiments in aging wine under the sea.

Nautilus White, 2021

Made from blend of Tsaousi, Vostilidi, Muscatel and Muscat grapes this wine is bottle aged for 6 months in the winery aquarium which creates and environment of total darkness, constant temperature and lack of oxygen. On the nose lemon pith, lemon peel, fresh green herbs and a floral note. In the mouth round, medium acidity, more pith and citrus notes with a pleasant slight bitter bite at the end. Very vibrant and long. Available in the UK.

Nautilus Rose, 2021.

Mavrodaphne, Muscatel, Muscat, Tsaousi and Vostilidi grapes. Also bottle aged in the winery tank.  Very aromatic, wild flowers and wet stones.  On the palate soft red fruits, super dry with a fresh lift and a dry salty finish. Very nice in deed.  Exported to British Columbia amoungst other places.

47 and 47 Undersea

47, 2017

The wine is a remarkable blend of 47 varieties: 41 whites and 6 reds to make a rose. This is where the field ‘library’ of indigenous grape varieties comes in.

Mineral, stony notes on the nose with fresh cut soft red fruit. On the palate strawberries, raspberries then baked lemon, very fresh.  Complex with waves of flavours, long.

47 Undersea, 2017

As if 47 wasn’t extraordinary enough the same 47 varieties have also been bottle aged for 18 months under sea. The wine is stored in cages at depth of 22 m. As with the Nautilus wines this ensures, darkness, constant temperature and lack of oxygen but in addition higher than atmospheric pressure and a saline environment.

This wine has a different nose to the straight 47, with less obvious fruit, the fruit more integrated with the mineral notes. In the mouth tangy fruit salad flavours, complex with a stony and salty edge.  Amazing to see the difference to the non-sea aged version

Red varieties.

Myesis, 2017 (initiation)

Made of 3 grapes mostly Mavrodaphne but with Cephalonian varieties: Theiako and Araklino.

A nice whiff of marzipan oh the nose with a bit of spice. A good medium body with soft rounded fruit and subtle barrel notes. 

Daphne Daphne, 2016

This is a dry wine made from 100% Mavrodaphne. On the nose, plums, farmyard, smoke. In the mouth medium body, a bit of lift, dark fruits and savoury notes, medium soft tannins.  Very tasty.

Amphora Red, 2021.

Another dry red mostly Mavrodaphne with 15% Vostilidi. The clay amphora gives the wine an overdose if oxygen for about 2 weeks while it ferments. Also, the amphora mean that the fermentation temperature is uncontrolled.

Nice balance, medium acidity, soft but mouth coating tannins. Lovely.

42, 2016

Another remarkable blend this time of 42 red varieties from heritage vineyards. Theodore says the grapes compete in the glass to come out on top, a continuing battle with new winners presenting themselves at each stage of the wine’s development. A rich nose of dark and red fruit and smoke. Medium body, a kaleidoscope of fruits, toasty notes, complex. Delicious!

Methyse, 2004.

Named after a follower of Dionysus the god of winemaking.

This is the traditional sweet wine of Mavrodaphne.

Super dark in colour, nose of chocolate, Kirsch, dried oranges and Christmas spices. Sweet but with enough freshness to lift it, complex and very long. A real treat!

Tasting the Foivos range of wines with Theodore at his cellar was a fascinating experience! It is wonderful that way he takes inspiration from the past, cherishes local heritage and yet continues to explore and experiment with new ways of expressing the wines. Do seek out the wines and try them.


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Travel to Bolgheri

The Bolgheri wine region.

Bolgheri DOC lies within the Maremma, once a sizzling mosquito infested area of swamp lying between low hills and the sea, it features as part of the inferno in Dante’s Divine Comedy.  Thankfully the marsh land has long since been drained and the area is now a welcoming patchwork of farmland, vineyards & olive groves accentuated here & there by picturesque rows of cypress trees.

Bolgheri wine region runs north south bounded by hills to the east and a line parallel to the coast (largely defined by the motorway) to the west. There are four small towns in the region. To the north-east is the village of Bolgheri itself at the foot of the wooded hills. To the north west is Marina di Bibbona a coastal resort & further down the coast, is Marina di Castagneto Carducci.  Finally, the ancient hill town of Castagneto Carducci itself makes up the quartet.

IMG_2720

Accommodation:

Accommodation is available in all four of these towns but if you want to be in the heart of the wine action as we did there are a number of wineries that offer accommodation and a few agritourismo too.  We stayed at: Relais Felciaino which has three or four family /twin rooms opening onto the garden and does a nice al fresco breakfast under a canopy with views of the Tenuta San Guido’s castle on the hill.

http://www.relaisfelciaino.com/indexen.html

The location is right on the wine route ‘La Strada del Vino’ as it passes through Bolgheri

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http://www.lastradadelvino.com/en/default.aspx

Tenuta Ornellaia & Chiappini, are next door, Le Machiolle is opposite & Tenuta Guado a short way down the road & the fabulous restaurant Osteria Magna is also within walking distance.

Other options include apartments in the vineyards of Azienda Agricola Giovanni Chiappini, & several other agritourismo in the area.

Eating out:

IMG_2732If you like meat, then look no further than Osteria Magona. Chef Omar Barsacchi serves a selection of beef by Dario Cecchini , Panzano’s famous butcher.  On the T bone or a cheek, the meet is amazing.

The wine list is comprehensive and, although most of it will require re-mortgaging, there are actually some delicious gems such as Le Macchiole Bolgheri Rosso 2015 and, one of the waiter’s recommendations, Sondraia Bolgheri Superiore 2013 by Poggio al Tesoro.IMG_2733

http://www.osteriamagona.com/

IMG_2866The find of the trip though was Enoteca Tognoni in the village of Bolgheri itself.  Imagine crossing your favourite wine merchant with a brilliant trattoria and you get Enoteca Tognoni.  Walls to the left and right are lined with shelves of Tuscan wines to browse and between customers sit at long tables.  Choose your bottle, scan the menu and settle in.

IMG_2876The wines are priced very fairly and you pay the same when you sit down for lunch as you would to take out.   Fancy tasting through some of the local icons with your meal then check out the enomatic wine machines on the bar at the back serving both tasting portions and drinking measures.

So good we come back for lunch two days running!IMG_2869

http://www.enotecatognoni.it/

 

 

For sea food we visited Restaurant La Pineta right on the beach where chef Luciano Zazzeri serves Michelin-starred seafood. The wine list is a ridiculous tome that is so big an heavy it comes to you on its own side table but we did find some bottles of Grattamacco Bolgheri Vermentino 2015 which were vibrant and delicious and a couple of bottles of Ca Marcanda Magari.  The food was very good but not all the dishes were outstanding & we found the service a little un-attentive.

http://www.lapinetadizazzeri.it/LaPineta/Home.html

Beach.

The resorts on the coast feel quite separate to the wine country but are so close that an evening dip looking out towards Corsica can easily be worked into your program.

Bike hire:

 

 

Travel:

Lots of flights to Pisa which is less than an hour’s drive away.

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Chateau Haut Condissas – punching well above its weight!

It’s really not that hard to find great wines: go for a prestigious region, select one of the big names, just check that it has a good score from an international critic or two and bingo! As long as of course you don’t mind paying through the nose……  And in Bordeaux the wines have steadily been extracting larger and larger amounts through said nasal passage to the point at which they are now truly eye watering.

Which is why I have been a fan of ChateIMG_9919au Rollan de By for many years, it is a reliably delicious Cru Bourgeois from the Medoc, worthy of aging for a few years and sold at a very fair price.  So I was intrigued to hear that proprietor Jean Guyon (who also owns Chateau Greysac & a few others) also makes a more ambitious wine at Chateau Haut Condissas with the aim of rivalling the classified growths.

Arriving at a recent vertical tasting of the wines the very air in the room was scented with plums, cigar box and coco powder, a very promising start and the wines did not disappoint.

IMG_9922Wine maker Olivier Dauga (who used to work at Sociando de Mallet another of my favourite Medoc producers) explained that his goal is to achieve fine tannins by avoiding too much extraction, the fruit should be in the fore with the wood in a supporting role & not the other way around. His philosophy is that good grapes make good wine very good grapes make very good wines. The vineyards of Haut Condissas are to the very north of the Medoc near the Atlantic on the plateau de By close to the river bar.

These are rich merlot driven wines but have an unusually high proportion of around 20 % Petit Verdot.  This gives the wines colour & spice and extra freshness but they have to be careful as PV can give green tannins. Made without aeration or filtration in a very pure way with 100% new oak of which 10% American. The chateaux believe that affordability is important for high quality wines in the Medoc.

Haut Condissas 1999. Nice cigar box nose with red fruit berries. In the mouth medium body, fresh, light red fruit, more cedar, soft slightly powdery tannins & medium length. At its peak I would have thought but still full of life. Lifted & Refined. Very good. Returning later vegetal notes had developed.

Haut Condissas 2009. A hot year. Ripe plums, red fruit, faint cloves and smoke on the nose. Full body, medium + acid, more plums, cooked red fruit, some more cloves, coco powder, toasty, ripe soft tannin, and a long finish. 14% alcohol so a big wine but finely balanced. Excellent.

Haut Condissas 2010. Beautiful scented nose of red fruit, cedar and smoke, clove. On the palate: lovely & cool balanced, medium body, good fruit, lifted, tasty lashings of toast and spice. Very long. Excellent.  Returning later ground coffee & forest fruit compote.

Haut Condissas 2013. A Kosher wine – This is made in a different way observing the Sabbath & according to Judaism’s dietary laws.

There was a lot of rain in 2013 the wine is light in colour and intensity. More fruit driven nose with black plum & coco. Lighter body fruit, some toast and vanilla, slightly more angular tannin. Very drinkable. Very good.

Haut Condissas 2014. On the nose red fruit, some black berries, spice, smoke. In the mouth great balance, lifted and fresh, full fruit, nice spice, ripe tannin. Long a Lovely wine. Excellent.

Haut Condissas 2005.60% Merlot, 20% Petit Verdot,10% Cabernet Sauvignon, 10% Cabernet Franc. On the nose rich ripe fruit, smoky, coco & vanilla, forest floor an intense & complex nose. On the palate: lovely texture, medium plus body, more opulent than others, developed with mature flavours, leather, loam etc. with a lovely fruit core, holt chocolate. Very complex & vibrant. Great length and good freshness.  Gorgeous! An outstanding wine.

The chateau bottled a small quantity of single varietal wines from each of the grape varieties in the 2005 blend and in a brilliant twist to the normal wine tasting invited us to produce our own blend.IMG_9921

2005 100% Merlot. Dusty coco and plum nose, not particularly intense. Gorgeous fruit pie and chocolate shake, full body, powdery coating tannins. Medium acid.

2005 100% Cabernet Sauvignon. Clove, indistinct fruit on nose. Cool, refined great structure, high acid, full body, long.

2005 100% Cabernet Franc. More delicate fruit raspberries etc. Bit of smoke. Beautiful fruit, fresh, refined, long & lifted wow! Light tannin and light structure.

2005 100% Petit Verdot. Spicy slightly funky with dark and stewed intense fruit, clove & lots of tannin.

My blend: 25% Merlot 25% CS, 40% CF, 10% PV. Slightly less open than actual blend, showing the austerity of CS and lighter fruit & high notes of CF.

It was fascinating to taste each varietal in its mature state and experiment with how each component adds to the blend.  Interestingly the only wine which really stood on its own two was the Cabernet Franc & the 2005 blend was far and away greater than the sum of its parts.

The 2005 and 2010 are still available at around £30- £35 per bottle by the case which for back vintages of an outstanding wine is great value!


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Champage Gosset dinner. It’s not about the bubbles, but they help!

Ahead of our Champagne Gosset wine dinner in the club room at Fredericks Odilon de Varine chief wine maker & deputy MD talked to Kiran about his wine making approach.

There followed another memorable wine diner with each course of the menu designed to complement the wines.

Adam Wander menu.crtr

Highlights included the way the toasty & nutty notes of the Grande Reserve were complimented by the pan fried herb gnocchi with Pecorino sauce and the way the Bream, mushrooms and cream worked with the superbly refined and complex & yet fresh Celebris 2004. Matches made in Heaven!

gosset1


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Achtung Blaufränkisch!

Alert! Austria’s other great grape Blaufränkisch turns out, like its sister Grüner Veltliner, to be an amazing food wine.

This was beautifully demonstrated at a recent lunch hosted by Leithaberg DAC paired a selection of the region’s top wines with HKK Hakkasan’s equally top Chinese tasting menu.

Where, you may be wondering is Leithaberg (pronounced Light-a-bear -gh)…… in Austria of course as I’m sure our well healed readers know only too well.  The appellation (DAC) is at the far eastern end of the country close to lake Neusiedler & the Hungarian border. Not to be confused with Neusiedlersee DAC which is on the other side of the lake and also boarders Hungary.  The Neusiedlersee is of course the lake that provides the perfect conditions for noble rot allowing wine makers Alois Kracher and Feiler Artinger to produce amazing sweet wines of international repute.   However don’t be confused as these don’t fall into either DAC region and are normally just labelled from Burgenland.

Link to map of wine region

Anyway now that that is all clear the important thing to remember is that the wines of Leithaberg are delicious and astonishingly good with Asian cuisine.  Austria’s wunderkind Gruener Veltliner now regularly appears on restaurant wine lists in the capital because it is so versatile with food, but look beyond this grape and you will find that Weissburgunder (pinot blanc) and Blaufränkisch (one of Austria’s indigenous reds) are equally great food wines.   This was amply demonstrated at the lunch hosted by Leithaberg DAC at HKK Hakkasan’s restaurant in the City.img_7943

Leithaberg DAC produces Chardonnay, Greuner Veltliner, Neuburger, Weissburgunder & Blaufränkisch but the wines that shone for me were the last two grape varieties.

Weissburgunder is made in a range of styles from simple unoaked, dry full bodied wine with citrus, mineral & sometimes slightly salty character to more complex, textured, spicy and flinty offerings from old vines that may have seen the inside of large old oak barrels.  The range of wines on offer at this tasting all had a good twist of acidity and wet stone character no doubt thanks to the schist & shelly lime stone hills and cool nights thanks to the lake.

Blaufränkisch comes in many styles and is often blended with other grapes but I was delighted to find that the majority of the wines on show were 100% Blaufränkisch and only subtly oaked if at all.  For me this pure style shows the grape’s delicious rounded fruit & savoury spice character lifted by freshness at its best.  I love the entry level blended wines which are so approachable and reliably tasty but the grape also produces great single vineyard wines with more structure and plenty of layers of fruit, spice, wet stones and sometimes blood.  These wines age well too as the wines at lunch showed.

The lunch:

img_7940Michelin-starred Head Chef Tong Chee Hwee and his kitchen at HKK put on a great menu to showcase their super refined Chinese cuisine.

Dongji Wagyu beef mushroom, shiitake mushrooms with pickled vegetables, onion, mooli .

Chardonnay Leithaberg DAC 2015, Weingut Esterhazy.

A concentrated citrus chardonnay that stood up to the pickled vegetables.

Gruener Veltliner Himmelreich 2013, Weingut Sommer.

Fresh but with some body and great structure, nice mineral wet stone and grapefruit pith. This wine worked as a brilliant foil to the doughy fake mushroom filled with beef and the real fungi.

Zhang Dim sum Trilogy. Prawn and seaweed dumpling, king crab and dry scallop dumpling, label Rouge chicken and pickled Chinese leaves puff.

Weissburgunder Golden Erd 2012, Weingut Tinhof.

Floral medium body, with a bit of spice which resonated with the Asian spices in the dumplings.

Weissburgunder Leithaberg 2010, Weingut Heinrich.

A lovely structured wine with great tension and lift but the body to cope with the delicious seafood flavours of the Dim sum.  This outstanding combination was over far too quickly & is now firmly lodged in the memory.  This is obviously why Pinot Blanc exists!

Signature Cherry Wood Peking Duck. Chef Tong’s speciality served in three parts, smoked crispy skin, outer meat with hoi sin sauce & rich inner meat.

Blaufränkisch Altenberg 2012, Weingut Hans & Christine Nittnaus.

Floral, ripe plum, great balance and a savoury, spicy finish. Wow these wines are the perfect pair to hoi sin duck!  The savoury & plumb flavours in both the wine & dish complement each other but the wine has enough structure &  lift to cope with the fatty meat.

Blaufränkisch Leithaberg 2010, Weingut Nehrer.

Mushrooms, white pepper, red and black fruits on the nose, good body and more fruit and spice in the mouth, complex & delicious the just resonates with the smoky crispy duck skin.

Served on their own

img_7936Blaufränkisch Goldberg 2005, Weingut Prieler

Nice development, cherry, baked fruit, good balance, soft tannins, engaging & long. Shows how well these approachable and friendly wines mature & develop in complexity.

Blaufränkisch Leithaberg 2006, Weingut Anita & Hans Nittnaus.

Characteristic ripe plum and cake spice, enjoyable but not sure if 2006 was a particularly strong year?

Lamb cannon with water chestnut, salted egg yolk and lotus root.

Blaufränkisch Gritschenberg, Weingut 2008 Altenberger

Mature, spicy a wide spectrum of fruit, freshness and rounded tannins, the age & tertiary notes work well with the subtle flavours of the lamb dish.

Blaufränkisch Leithaberg 2010, Weingut Wagentristl

Mature, cloves, stewed rhubarb, stewed plum, spices.  Again the aged notes work well with the dish.

What a great demonstration of how well wine can be paired with Chinese food.  No more beer or jasmine tea for me!


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Champagne where the bubbles are beside the point! (part 2)

Champagne Ayala

Champagne Ayala established its reputation for a dry style of wine when it became popular in the second half of the 19th century amongst the English aristocracy thanks to Edmond Ayala’s younger brother who had settled in London. Mind you at that time residual sugar of 19g per litre was considered dry, a far cry from the zero dosage wines which have between 0 and 3 g/l that are increasingly popular today!

ayala-01The house was bought by family Bollinger in 2005 and they have since rejuvenated the winery and put in place a young and dynamic team to take it forward as a house with its own distinct character. With an annual production of around 700000 bottles this remains a small hands on winery in the heart of Ay. Caroline Latrive is the chef de cave responsible for maintaining the fresh and elegant character of these chardonnay focused wines.

Brut Majeur NV.  A blend of 40% chardonnay, 40% pinot noir and 20% muenier. Aged for a minimum of two years before disgorgement and with a low dosage of 7g. A nice ring of persistent bubbles with a great tactile & invigorating mouthfeel. A reticent nose of lemon and zest.  In the mouth more subtle citrus, biscuit notes and very fresh. A great aperitif to lift the spirits.

Rose Majeur NV A blend of 50% chardonnay, 40% pinot noir (of which 6% is added red wine) and 10% pinot muenier. Aged for a minimum of three years before disgorgement and with a low dosage of 7g. Presented in a box festooned with pink flowers. Copper salmon in colour. On the nose pink grapefruit a touch of peach. In the mouth fresh and dry some gooseberry & citrus fruit then a slightly salty finish.  This would be great with a meal of sea food.

ayala-03Brut Nature NV. The same blend as the Majeur but with no dosage and about four years aging on the lees. The nose is similar to majeur but with some spice and lovely autolytic notes of fresh bread. In the mouth great freshness hits one with a wash of sea spray then lime. Wow this has a great finish of minerals, bread, lemon peel and is very very long. Fantastic an excellent food wine.

Blanc de Blancs 2008.  A blend of chardonnay from the Cote de Blancs 60% Chouilly (known for its creamy character) & 40% Mesnil sur Oger (known for displaying more exotic fruit notes). It spends 5around 6 years on lees and has only 6g dosage. Served in an extravagant clear glass bottle this wine has a rich & complex nose of baked lemon, scents of roasted nuts, pastry: crème Anglais. In the mouth pineapple, caramel, ripe stone fruit but still delicate with great freshness and persistence. Long finish.

Perle D’Ayala 2005. The blend is 80% chardonnay from Cote de Blancs and 20% pinot noir from Ay which cooled by breezes along the Marne is known for its delicacy. The wine spends 8 years aging on the lees and has 6g dosage. Fine but less pronounced mouse, looks more like a wine. A rich nose of dried hay, pot-pourri and baked lemon, nice tertiary nutty notes. In the mouth spicy notes, baked pastries, lemon, vanilla & chalk, all in a restrained and nicely balanced way. Very complex and long.

None of these wines feel the need to pose or pout for one’s attention but nevertheless they achieve a level of balance, lift and complexity that confidently commands it. Champagne Ayala

 

Dom Pérignon

dp-01-crop

Standing high up in the gardens of the Abbaye Hautvillers one looks down on the meeting point of the three most important regions in champagne: the eastern end of the Valley de Marne, the northern tip of the Cotes de Blanc and the final sweep of the Montagne de Reims. Behind are the remains of the monastery where Dom Pérignon himself, the Benedictine monk credited with transforming wine making practices in the region, was cellarer.  One can’t help feel somehow near the epicentre of Champagne.

dp-tasting-room

The tasting room over the cloisters

Chef de cave Richard Geoffroy’s choice of tasting room; a spectacular thirty metre long hall sitting over the last remaining wing of the monastery’s four sided cloisters, also seems to emphasise the historical significance of the place. However as we tasted & discussed the wines it became clear that far from looking backwards Richard is a forward thinker constantly striving to make new & singular wines. Richard asserts that his wine making is not about style but is all about making the best vintage wines, and yet it is clear to us that they are all undoubtedly Dom Perignon.

 

Not every year is good enough to produce a vintage but in an unprecedented run Dom Perignon produced consecutive vintages of P1 from 2002 to 2006 and it was fascinating to taste these side by side.  The vintage character is discernible but somehow seen through a ‘Dom Perignon filter’ like a pair of tinted sun glasses that make the sunset richer and more vibrant than it might otherwise be. In some years certain characteristics are more pronounced and in others they recede into the background but they are all always present coming together to make up the whole.

Richard doesn’t believe in artificial scarcity, if there is a good wine to make he will make it, this has meant taking calculated risks in certain vintages and thankfully they have paid off. Otherwise we would be so much poorer without superb wines like the 2003 and 2005.  These really are the epitome of champagnes where bubbles are beside the point.

Prestige cuvees of champagne tend to be expensive and Dom Perignon is reassuringly so.  However if have the opportunity to drink these wines you can be reassured of an extraordinarily special experience.

Also see Dom Perignon P2 ‘does exactly what is says on the tin’ for more details of the three Plenitudes that Richard makes and the thinking behind them.

Our contributing editor Stuart Grostern’s detailed tasting notes follow:

All of the wines had the same pure colour, with very little in visible bubbles served in Spiegelau white burgundy glasses.

Dom Perignon Brut millesime 2002. Sweet and slightly oxidised nose, green apples, smoke, caramel and a little mango, almost burgundy-like. In the mouth, sweet lemon rind, rich, white burgundy mouthfeel. Very concentrated, sweet, very long. Exquisite.

Dom Perignon Brut millesime 2003. From the earliest harvest to date, August 20th. A hot summer where the vines stopped producing sugars due to water stress while continuing to produce phenolics. Many champenois did not produce a vintage wine, but Richard inspected the ingredients and thought ‘of course!’. Smokey bready autolytic nose, a bit spirity with a hint of windscreen washer in a good and interesting way. Sweet, delicate, a bit of salinity, with a little hint of dessert wine botrytis. Beautiful balance, took me by surprise with its completeness even if it lacked the penetration of other vintages. Wonderful.

 

Dom Perignon Brut millesime 2004. Sprightly apple, smoke, spice nose. A zip when the wine hits the palate, followed by sweet baked apple, spices, a concentrated lemon and apple fizz, followed by a lovely saline lingering finish. This is a more linear wine, with such balance, and persistence and a long, long lingering sweet and salty finish. My favourites of the P1 vintages. Sublime.

 

Dom Perignon Brut millesime 2005. A warm and wet vintage in which the Pinot noir suffered from botrytis. On the nose, a lemon lime and iodine character. In the mouth, sweet attack in width of limes and spices with a linear concentration and salty character. The flavours narrow and concentrate onto a single point at the front of your tongue, with a hint of bitterness lingering alongside the lemon, lime and saline flavours. Sweet and savoury, so interesting. A great wine.

 

Dom Perignon Brut millesime 2006. Appley, smokey, iodine nose with something else (something savoury and beguiling), and a hint of red fruit. Good acidic attack of linear lime, slightly baked apples and bready slightly hot finish. Huge concentration that just sits showing the ripe deep fruit, with a never ending length. Amazing wine.

 

Dom Perignon Brut millesime Rose 2005. Served in a red burgundy glass. Copper pink hue. Some tar, more typical Cote de Beaune Pinot Noir with a hint of cola and liquorice. Fascinating nose. Sweet light red fruit followed by limes with a slightly tannic and dry palate, followed by more lime and peach. Wonderful length with lingering red berries, amazing persistence and balance. So beautiful, but I didn’t spend quite enough time to really get intimate with this wine.

dp-p2Dom Perignon Brut millesime P2 1998. Disgorged in 2008/9.

 

Tasting session: Leesy, smokey, iodine and lemon skin nose. Rich red fruit at the start followed by lemons, limes with real concentration. Slightly drying and sweet Chardonnay lingering finish, with a hint of sherbet. Wonderful and so interesting.

 

Lunch: matched with papaya, scallops and caviar. Blended seamlessly and matched the flavours of the food perfectly, though its character was masked. With roast Turbot with olive oil and saffron risotto, this wine really came alive again, bringing out the sweetness of the fish, acidity cutting the flavours and enhancing the dishes just so well. An amazing and inspired match.

 

Dom Perignon Brut millesime P2 1996. Smokey iodine and lemon candy aromas. As it opened, some oxidative and bruised apple emerges. Brilliant acidity, with lemon and lime attack, laser like acidity on the tongue followed by a savoury and sweet pastry gush. A bit of red fruit of cherry with savoury moreish after taste. So very, very long, an incredible wine!

 

Dom Perignon Brut millesime P3 1973. While all of the other wines had almost exactly the same colour, this had a light gold shimmering hue.

Bready and shy, smokey with sweet mango nose. A sweet light mouth, delicate, precise, with savoury finish. The perfect balance of acidity, fruit, body and flavour, with a fine body. An ethereal wine of great character, paired perfectly at lunch with the yellow plum and osmentus ice cream dessert. A phenomenal finish to a magical day.

 

As I write this review I realise that I forgot to ask Richard perhaps the most important question of the moment: when is the 2008 P1 going to be released?  I can’t wait! Dom Perignon

 

Champagne Andre Robert

 

When I made a surprise request for a video interview in the vineyards Claire Robert and her husband Jean-Baptiste were at first charmingly nervous but by the time I had fluffed the introduction on the first take and run out of battery part way through the second, they were their open and  engaging selves again.  clare-jean-baptisteClaire is the 5th generation of wine makers at Champagne Andre Robert taking over from her grandfather Andre who started making his own wines in the 1960s alongside supplying grapes to one of the big name houses.  There was something slightly reverential in the way that Claire and Jean-Baptiste showed us around the family vineyards situated just outside Le Mesnil sur Oger and clearly they realise just what a special in the Cote de Blancs place it is. At the sometime they are obviously excited at possibilities that their new winery, just outside the village, open up for the future.  Claire and Jean-Baptiste have plenty of new ideas too such as commissioning new oak barrels made from the local woods to make Les Mesnil in Le Mesnil barrels. They also plan to start producing a late disgorgement vintage champagne to add to the range.

 

Reserve Grand Cru  A blend of 2010 & 2009, 100% chardonnay from a selection of plots near the village, 30% made in oak barrels. Then 3 years in bottle on the lees. This wine will soon be renamed Le Gardin de Mesnil.  On the nose lovely lemon,  pineapple & grapefruit. In the mouth great balance, linear crisp & dry with a very long finish.  The wine develops in the glass showing mineral and toasty notes. It has minimal bubbles another real wine. Pure and elegant.

Mesnil Grand Cru vintage 2009. 100% chardonnay raised 100% in oak barrels for 7 months, lees stirring and then 6 years in the bottle before disgorgement. A wider creamy nose with butter, nuts, toast & some brioche, complex and accessible. Nice concentrated flavours precise and defined great freshness & balance. Long.

 

Mesnil Grand Cru vintage 2008. Lovely has an extra intensity to 2009 some floral notes, more patisserie, cake spices, buttery. On palate rich, hedonistic, but with a saline buzz & citrus zing, then the palate moves on to oak influences: toast, sweet nutty flavours. Great balance and a very long finish.  Potential to age a long time. Superb!

 

Seduction 2008 Still chardonnay lead but with 45% pinot noir from an old parcel of vines dating from 1974. 7g dosage. On the nose ripe apple, some peach and a touch of spice even light pepper. In the mouth chalky mineral notes a hint of cumin, ripe red apple very long.

 

The wines here are superb and under Claire and Jean-Baptiste’s care the winery and the wines are destined to go from strength to strength. Seek them out and try them. Champagne Andre Robert

Available from Scala Wine