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Gusbourne: English Sparkling at its finest

For the uninitiated, Gusbourne has been making sparkling wine from their vineyards in the UK’s second warmest location, Appledore, Kent, since 2004. Started by the oenophilic South African surgeon (what is it with doctors and wine obsessions?) Dr Andrew Weeber, whose experience in Stellenbosch led him to cannily spot the viticultural potential of the site, their first vintage was produced in 2006, a mere two years after planting. This early demonstration of the propensity of the site to produce grapes was telling, with their first commercial sale only happening in 2011.

Planted to the classic sparkling grapes Chardonnay, Pinot Noir and (Pinot) Meunier, they make a variety of vintage only blends, Blanc de Blancs, Blanc de Noirs and single varietal still wines, vintage permitting. The 150ish Kent acres of clay on sand has been supplemented by West Sussex chalk and limestone vines. Fermentation takes place in a combination of oak and stainless steel, depending on the parcel and vintage, and spend between 36 -84 months on lees before disgorgement. Dosage varies by vintage and wine. The winemaker, Mary Bridges, who succeeded Charlie Holland in 2020, has been with Gusbourne since leaving uni and with the support from Laura Rhys MS, has definitely found the sweetspot for finding and emphasising the character of the wines and terroir. It is no surprise that Gusbourne has received so many international plaudits for their wines.

The tour and estate explanation was led by the wonderful Will who explained the history, vineyards, clonal varieties, philosophy, key people and, of course, the wines at the tasting. The three-course lunch was expertly prepared and paired with their wines, with generous tastings and pours of seven of their wines (with a sneaky extra two post-lunch). The tour, tasting and lunch package is £120pp, and in my view, rather fantastic value given the quality of the wines, food and the hospitality shown – a must for the wine curious.

Tasting notes

Gusbourne Nest Selection 2021, Magnum

The opener pre-tour.

Very fine bubbles, no mousse. Mid lemon to gold. Nose of brioche with hints of smoky autolysis, cherry, and apricots, maybe cherry confiture and a hint of milk chocolate. Palate of wild cherry, strawberry, baked apple with a long savoury and slightly chalky finish. Absolutely lovely.

Gusbourne Blanc de Noirs 2020 – 65% Pinot Noir, 25% Meunier, 10% Chardonnay, mostly stainless steel tank fermentation, small amount of oak, 36 month lees ageing.

Served in the vineyards. Fine mouse. Bready and biscuit nose of peach, wild cherry, almost Burgundian PN. Palate of tart cherry, slightly underripe strawberry with a chalky residue and leesy texture. Very elegant and fine.

Gusbourne Chardonnay 2024 – 100% Chardonnay, aged in 18% new oak, remainder in neutral puncheons for 9 months, then 9 mths on lees in stainless steel and 100% malolactic fermentation. Only made in vintages deemed appropriate.

Served alongside the BdB 2020. Mid lemon tending to gold. Green and red apple, apricots, green gage, flecks of vanilla and smoke. Palate showed heightened tart acidity, mirroring the nose with apple and apricot dominant flavours with a refreshing medium finish. Needs a couple more years to soften to truly reveal its depth of flavour. Very promising.

Gusbourne Blanc de Blancs 2020 – 100% Chardonnay, 8% fermented oak, rest in stainless steel, lees aged for 52 months.

Full mousse, pale lemon. Nose of biscuit, brioche, green apple, just ripe apricot, ripe peach. Fabulous acidity and a depth of concentrated apples, pears, apricots. Finish is long if slightly warm. Will age beautifully.

Gusbourne Late Disgorged (LD) 2017 – 68% Chardonnay, 32% Pinot Noir, 7 years on lees.

Mid gold with fine bubbles, small mousse. Very yeasty flinty nose with smoke and ripe yellow plum aromas. Palate of tart citrus, apple, flaky pastry, hints of sultana and yellow plum. Absolutely beautiful balance, very very long and pleasing perfect finish. Super wine.

Note: The LD wines are actually the wines that do not make the 51 Degree North, the late disgorged top wines, due to some taste characteristic that ‘sticks out’. A pretty awesome reject!!

Gusbourne Rosé 2020 – 59% Chardonnay, 29% PN, 12% Meunier, fermented in oak barrels and lees aged for 56 months.

Salmon pink with gold reflections, no mousse. Nose of sweet citrus and yellow apple, sweet lemon (lollipop), with yeasty autolytic smokiness, really beautiful, possibly a hint of bruised apple. Palate so perfectly balanced between the acidity, bubbles and a savoury fruit character with medium+ body and great depth. A real gastronomic wine that paired amazingly with the dessert of deconstructed lemon meringue pie with basil oil. A fantastic Rosé sparkler that I would be proud to pair and serve.

Gusbourne Fifty One Degree North 2016 – 67% Chardonnay, 33% PN, fermented in old oak (21%) and stainless steel, lees aged for 72 months.

Pale lemon, no mousse,  No obvious stand out aromas besides hints of lemon verbena. The palate is just one long experience of flavours, nothing sticking out, balanced by the perfect wrapping of acidity leading to a multi-minute long finish. Absolutely incredible. Reminiscent of Dom Pergignon P2 and right up there with the finest late disgorged wines. RRP of £195/btl which competes fairly with elite LD/RD wines.

Gusbourne Oak Reserve 2019 – A nod to Bolly! 100% Chardonnay, 50% fermented  in large oak foudres and 50% puncheons and barriques. Lees aged 33 months.

Gold hue, slightly oxi smoky nose, lemon verbena, apples, peach, nuts and sweet vanilla. Palate of riper fruit, apples, peaches and good body from oak fermentation, with acidity keeping it all in balance. An almost sticky back of throat (retronasal) very long finish. Beautiful.


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Redefining the Boundaries of Wine

New Latitude Winemaking at Monsoon Valley, Thailand

If you were asked to name the least likely place on earth to grow grapes, Thailand would probably be high on the list. Located between roughly 5° and 20° north of the equator, with most vineyards clustered around 13–15°N, it lies far outside what we have traditionally considered viable viticultural territory. Tropical, relentlessly hot and humid, with monsoon rains, blazing sun, unpredictable seasons and constant disease pressure, this requires viticulture played on expert mode.

And yet, Thailand is making wine. Not just novelty wine, but increasingly serious, drinkable and diverse wine that challenges our assumptions about where viticulture belongs.

My first encounter with Thai wine came almost by accident: a bottle from Monsoon Valley slipped into a Decanter ‘lucky dip’ box. Later, during a visit to Thailand, I tasted more of their range and was genuinely surprised by the quality, and I was intrigued to find out more. Initial curiosity quickly turned into fascination, how on earth do you grow grapes, let alone make good wine in a climate like theirs?

New Latitude Winemaking

The answer lies in what is now known as ‘New Latitude Winemaking’: wine production outside the traditional 30–50° latitude bands of the northern and southern hemispheres. These regions break almost every classical rule of viticulture and rely on intense human intervention, scientific adaptation and constant experimentation to succeed.

To understand this first-hand, I travelled to Monsoon Valley to meet their winemaker and viticulturist, Suppached Sasomsin. Suppached graduated in Biochemistry, followed by a master’s degree in Viticulture and Wine. He subsequently worked in different winemaking areas including New Zealand, France and Germany. His combination of passion, technical knowledge and practical ingenuity is central to the current project.

Monsoon Valley is on the Malay Peninsula, two hours south of Bangkok and 35 km from the seaside town of Hua Hin. The estate is unexpectedly grand: 110 hectares in total, with 48 hectares planted to vines.  I arrived in late November, expecting sunshine and lush tropical vineyards, but was struck instead by waterlogged soils, heavy humidity and low, rain-filled cloud. The monsoon had overstayed its welcome.

Suppached looked worried. He explained that the usual November pruning had to be delayed this year because it was simply too wet. Pruning now would not only be technically challenging but a disease risk.  However, if the pruning was delayed too long then harvest would be pushed forward to the rainy season. At this latitude, temperatures never fall below 0°C so vines never really shut down and experience winter dormancy. As a result, they simply keep growing, producing vast amounts of foliage. If left unchecked, it leads to poor fruit quality. The solution is extreme pruning. Vines here are pruned twice a year, heavily, once in April, when they are cut right back, and again in November.

Thai producers traditionally harvested twice a year, but here they have moved to a single higher quality harvest during the spring dry season. In Monsoon valley, this is usually mid-February to late March.

Viticulture without a rulebook

Waterlogged vineyards from relentless November rain

One of the most fascinating aspects of the visit was the nursery. Monsoon Valley is experimenting with new clones and crossings specifically adapted to tropical conditions. Some of the vines don’t even have names yet. This is long-term, highly complex work: crossing varieties, observing disease resistance, vigour, fruit quality and resilience to heat and drought. It is viticulture at its most experimental, driven by necessity rather than tradition.

Disease pressure is relentless, and there is no illusion about organic farming here: some judicious spraying is essential. That said, innovation is everywhere. One particularly striking technique involves crushing mussel shells into an ultra-fine powder and spraying it onto the vines. Under a microscope, the particles resemble millions of tiny daggers, physically deterring certain insects and pests. It was the first time I had seen this method used in a vineyard.We toured the estate by safari vehicle, rolling through vineyards framed by one of the most arresting backdrops imaginable: a vast Buddhist temple rising above the hills. It was a powerful reminder that this wine is grown in a completely different cultural and geographical context. Elevated vineyards benefit from a gentle breeze that moves up the slopes, moderating heat and reducing disease pressure. It is a small climatic advantage but, in this environment, every advantage counts.

Suppached Sasomsin demonstrating pruning methods at Monsoon Valley, Thailand

Training systems include the V-shape or Lyra system, which is a split-canopy trellising method used to manage vine vigour, improve fruit quality, and reduce disease pressure. This is particularly good in high growth or humid environments. By splitting the foliage, the divided canopy improves air circulation around the fruit. The system increases the vine’s productive surface area and photosynthetic capacity compared to traditional vertical systems. Soils are generally sandy loam.

In one plot, Sangiovese vines had recently been pulled up after dying during an exceptionally dry spell with plans to replant with Syrah, one of the estate’s key grapes. Syrah, Chenin Blanc and Colombard dominate here, alongside some intriguing plantings of Solaris and Muscaris

I concluded the visit by tasting the wines at Monsoon Valley’s restaurant, perched above the vineyards with sweeping views of the estate. Given the conditions, the heat, the rain, the pressure from every conceivable disease, the quality was remarkable. These are not wines pretending to be Bordeaux or the Rhône, they are wines that accept where they come from, work intelligently with it and are proud of the results.

New latitude wine making is not about romance or tradition. It is about control, science, adaptation and resilience. And in Thailand, against all the odds, it seems to be working.

A shorter version of this article appeared in the March edition of Decanter Magazine 2026.

Tasting Notes: Monsoon Valley

Syrah vines with a Buddhist temple in the mountains

Monsoon Valley Sparkling Extra Dry Rosé 2025
This was an immediately charming way to begin. Bright, refreshing raspberry flavours, underpinned by around 15g/L of residual sugar that softens the edges without tipping into sweetness. There’s a pleasing snap of acidity making it balanced and highly drinkable. Particularly notable is the fact that this was the assistant winemaker’s first wine, an impressive debut.

Monsoon Valley Solaris 2024
Solaris is a fascinating choice here. Bred for cold climates and prized in Scandinavia for its short growing season, developed at the Freiburg wine institute, Germany. It might seem an unlikely candidate for Thailand, yet its disease resistance and adaptability make it surprisingly well suited to tropical conditions. In the glass, it offers fresh gooseberry and citrus notes, with a clean, vibrant profile.

Monsoon Valley Chenin Blanc 2024
A wood-aged expression, spending seven months in barrel, this Chenin strikes an appealing balance between freshness and texture. Crisp acidity frames subtle citrus aromas, while the oak adds gentle breadth rather than dominance.

Monsoon Valley Signature Red 2024
A blend of Shiraz and Dornfelder, with the components vinified separately before blending. Thermovinification is sometimes used. This involves gently heating the grape must to around 60°C helping to extract colour, tannins and flavour compounds. This wine then spends 12 months in a mix of new and large-format oak casks. Suppached noted that it can be a challenging wine in the cellar, with a tendency toward reduction, but that effort is rewarded with depth and structure.

Monsoon Valley Cuvée de Siam Rouge 2021
Dominated by Shiraz (85%), Sangiovese once played a role in this blend but succumbed to drought and was replaced by other cultivars, a reminder that variety choice in Thailand is never static. The wine shows ripe plum, cherry and blackberry fruit, layered with gentle spice and rounded by ageing in French oak barrels.

Muscat of Hamburg (Pink-Skinned), Late Harvest 2025
A fittingly exuberant finale. Perfumed and intensely floral, this late harvest Muscat is fortified to 15% alcohol and carries around 120g/L of residual sugar. Lush and expressive rather than heavy, it celebrates aromatic intensity while retaining enough freshness to remain balanced.


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Postcard from Thailand

As published in Decanter Magazine March 2026 issue

Adam with Suppached Sasomsin, winemaker and viticulturist, Monsoon Valley vineyard

When I arrived at Monsoon Valley vineyard in late November, I expected sun-baked vineyards and postcard tropical glamour. Instead, I stepped into sodden soils, heavy air and low clouds threatening yet more rain. The monsoon hadn’t left when it should have and Suppached Sasomsin the estate’s winemaker and viticulturist was clearly uneasy.

As we walked the vineyards, he explained why. November is normally pruning time, a critical reset in Thailand where vines never truly sleep. With no winter dormancy at this latitude, the vines just keep growing, throwing out huge amounts of foliage unless they’re aggressively cut back. But pruning in these conditions is dangerous. Wet cuts invite disease, but if you delay pruning too long, the entire growing cycle shifts forward, pushing harvest into the rainy season potentially affecting fruit quality.

Listening to Suppached, I began to understand that viticulture here isn’t about following rules; it’s about constant risk management. This is the reality of new latitude wines: viticulture far outside the traditional comfort zone. Survival depends on intervention, science and adaptation. That philosophy was clearest in the nursery. New clones and crossings are assessed for vigour, disease resistance and resilience to heat and drought.

Disease pressure is constant, and organic ideals give way to pragmatism. One innovation caught my attention: crushed mussel shells, ground into a fine powder and sprayed onto the vines. Under magnification, the particles act like tiny blades, physically deterring insect pests.

Tasting the wines later, overlooking the vineyards, I was struck not just by their quality, but by their defiance. These aren’t wines chasing European models they’re wines shaped by place, pressure and persistence.


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Weingut Ebner-Ebenauer – an exciting discovery from the Weinviertel, Austria

At this year’s bi-annual Austrian wine tasting in London Adam & I came across the charismatic Marion Ebner-Ebenauer of Weingut Ebner-Ebenauer and their wonderful range of wines. The  Weinviertel is Austria’s most northern region, an expansive, windswept area that borders the Czech Republic.  There is a lot of variation in soils and climate across the region and historically it has a reputation for easy drinking characteristically peppery Grüner Veltliner, falling rather in the shadow of the Danube regions like the Wachau.  However it looks like Ebner-Ebenauer are well on the way to demonstrating just what serious age and worthy wines the region is capable of producing.

At the helm of this historic family estate are Marion and Manfred Ebner-Ebenauer, their winery, based in the town of Poysdorf, has been producing wine for over 400 years.

The backbone of their philosophy lies in single-vineyard bottlings that aim to reflect the unique voice of each plot. Their 20 hectares are scattered like puzzle pieces across a patchwork of soils, originally a safeguard against hail, now a key asset with some of these vineyards boast old vines over 70 years of age.

In the vineyard, everything is farmed organically, with grapes picked entirely by hand at optimal ripeness. Careful handling, minimal oxidation, and small harvest bins preserve the clarity and integrity of the fruit.

Down in their 400 year old cellar, a low-intervention approach prevails with wines fermenting spontaneously. Alongside the single vineyard wines they make a range of cuvées called the Black Edition which includes a Grüner Veltliner, using extended skin contact and fermentation in barrique to coax out texture and complexity.

Their méthode traditionelle Sekt, aged on lees for years and disgorged only when truly ready, has been turning heads abroad, winning international awards for its finesse and depth.

A quick search of the web and social media and Ebner-Ebenauer crop up repeatedly, this an image savvy couple who make great wine in a great way, what’s not to love?